Sunday, 17 April 2011

1001 chairs (free ai weiwei)







On the way across London to watch a football game, we joined a small silent demonstration outside the Chinese Embassy in Great Portland Street - a protest in response to the detention of celebrated Chinese artist Ai Weiwei and a group of his collaborators (Wen Tao, Hu Mingfen, Liu Zhenggang, and Zhang Jingsong). Ai Weiwei was stopped at an airport in Beijing on his way to Hong Kong on 3 April, and has been held incommunicado ever since. As yet his family has received no formal notice of his detention. Meanwhile, State-sanctioned newspapers in China have published claims that Ai has 'confessed' to bigamy, tax evasion, plagiarism and the distribution of pornography. In truth, it seems evident that he is being detained because of his high-profile political activism, and as a warning against dissent in China.

Sunday's bring-a-chair protest, staged internationally as a homage to Ai's 2007 Documenta installation 1001 Chairs, was triggered on Facebook and Twitter to occur outside Chinese embassies worldwide. In London the embassy itself looks wholly unprepossessing, its facade somewhat worse for wear: dingy lace curtains, a plastic water bottle on a 2nd-storey window ledge - apparently no one 'at home'. A solitary policeman outside the front door, wishing he was elsewhere. Small TV crews from Channel 4 and Al-Jazeera. Someone passed some sunflower seeds around. After about half an hour, a young Chinese musician rocked up with her violin and patent-leather shoes, and proceeded to play defiant, high-speed Bach to the building and to passers-by.

For the freeaiweiwei website, see here

For further details of the 'Free Ai Weiwei' activities worldwide, see here and here

For the Guardian's account of protests worldwide, see here

For the Independent's description of the use of social media to organise this protest, see here

For a recent Time Out interview with Ai Weiwei, see here

For Rachel Carr's fine images of the London protest, see here

For other images of this weekend's protests internationally, including Junyi Chew's in London, see here

The images below are of a Chinese protester on Ai Weiwei's Sunflower Seeds installation in the Turbine Hall at Tate Modern, London; and of Sunday's protest in Hong Kong.


red & black (extra time)









Images from Arsenal v Liverpool, The Emirates, London - Sunday 17 April 2011. From the top: outside the ground ('Victory Through Harmony'); a minute's silence; Van Persie free-kick; Suarez free-kick; Kuyt's penalty in the 12th minute of extra time (102 mins) - the last kick of the game, leveling the score at 1-1, and effectively bringing to an end Arsene Wenger's team's possibility of winning the title this year; Liverpool celebrations with their fans; Meireles (with serious tatts), Kuyt & Reina leaving the pitch; Emirates sky (actually this is from the end of the desultory Arsenal match against Blackburn two weeks ago, but it fits the mood).

Saturday, 16 April 2011

Monday, 4 April 2011

still speed












'In times of coercive politics and transnational terror, slowing down so as to learn to listen anew is a necessity ... The question is not so much to produce a new image as to provoke, to facilitate, and to solicit a new seeing. Science without conscience, politics without ethics, technology without poetry result in deadly short-circuits. We've had to learn this, not only through disastrous political events, but more intimately through one's own body when it is under stress - the wired-up body that takes months to wind down, to recover, or to find its own rhythm. Non-being is what we use in working with being ... when we start taking care of this utter silence, life speaks to us in a different language, one in which we catch glimpses of stillness in movement and feel movement arising in stillness. Velocity in stillness ... Speed is here not opposed to slowness, for it is in stillness that one may be said to truly find speed. And rather than merely going against speed, stillness contains speed and determines its quality. Speed at its best … is still speed. The speed of a flower mind.'

Trinh T. Minh-ha, 'Still Speed', The Digital Film Event
, 2005.